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Nollywood actress Bolaji Ogunmola has addressed growing concerns surrounding her latest cinema release, Ajosepo: The Gathering, denying claims that the film is being unfairly prioritised over other titles currently showing in theatres.
In a video posted on her Instagram page, the actress responded to criticisms suggesting that cinema operators were allegedly giving her movie more favourable screening slots while reducing showtimes for competing productions.
Bolaji dismissed the allegations, stressing that cinema scheduling is strictly business-driven and based on performance indicators rather than personal influence or favoritism.
She explained that decisions around showtimes are usually influenced by audience turnout, public interest, and early reviews of a film’s performance.
According to her, different cinemas have assigned varying screening times for Ajosepo: The Gathering, with some locations offering limited slots while others provide more, depending on demand.
She maintained that this variation reflects audience response rather than any form of manipulation within the industry.
The actress also clarified misconceptions about the film’s storyline, noting that it is not a direct sequel to the earlier Ajosepo project. She described it as a standalone story that can be understood independently, even though it shares thematic similarities and a family-centered narrative structure with the previous title.
Bolaji expressed disappointment over claims that she may be intentionally undermining other filmmakers. She insisted that she has never encouraged audiences to avoid any other movie and firmly rejected suggestions of sabotage.
Her comments come amid ongoing debates within Nollywood about cinema scheduling practices. Some filmmakers have recently voiced frustration over perceived unfair treatment in screening allocations, arguing that it affects box office performance.
However, cinema operators continue to maintain that showtimes are determined by commercial demand and audience engagement levels.
Bolaji urged viewers to continue supporting films in cinemas, noting that low turnout can lead to reduced screening times or early removal from theatre listings.
The conversation highlights a broader industry concern about competition, visibility, and fairness in Nigeria’s growing cinema market, where multiple films often compete for limited screening slots.
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