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In a groundbreaking development for African cinema, Nigeria’s FilmHouse Group and Inkblot Studios have announced the launch of KAVA, a global streaming platform designed exclusively for African stories. Set to roll out in August, KAVA promises to redefine the digital viewing experience for African content by creating a dedicated space where African films, series, and documentaries can thrive without borders.
KAVA is not just another streaming service it’s a cultural movement. With over 30 titles at launch and plans to expand into documentaries, short films, and previously unreleased works, KAVA aims to address the long-standing distribution gap African creators have faced. It also provides a much-needed second home for post-theatrical content that often disappears after leaving cinemas.
Naz Onuzo, co-founder of Inkblot Studios, expressed excitement about the platform’s potential, saying, “With KAVA, we’re taking our stories across the world and this platform gives us a level of control we’ve never had before.” Onuzo emphasized that Nigerian audiences’ growing interest in local stories is evidence of a deeper desire for cultural representation.
Damola Ademola, Head of Product at KAVA, highlighted the platform’s unique user experience. “It’s not your usual thriller-romance-drama setup,” he said. “Our system is uniquely African and offers users a refreshing way to discover content that speaks to them.”
Designed with global accessibility in mind, KAVA will be available on mobile, smart TVs, laptops, and desktops, with region-based pricing and an AVOD (advertising video on demand) option. This pricing model ensures affordability and access for viewers across the African continent and beyond.
More than just a streaming service, KAVA’s mission includes discovering and nurturing new talent. The platform is already building pipelines through festivals, industry partnerships, and grassroots collaborations.
“We’ve debuted more first-time filmmakers than any other company,” Onuzo noted. “KAVA is a continuation of that legacy.”
Kene Okwuosa, CEO of KAVA, described the platform as an ecosystem rather than a product. “We’re building the digital infrastructure for African cinema,” he said.
“We want our audiences to feel seen to hear their languages, their humour, their stories. KAVA is here to amplify that experience.”
As part of its marketing rollout, KAVA will embark on university tours, multi-city activations, and continent-wide partnerships. The aim is to create a truly pan-African library by acquiring and restoring older titles, preserving Africa’s cinematic history.
In an industry where African content has often been underserved globally, KAVA positions itself as a bold new frontier. It promises not only to make African stories more accessible to global audiences but also to empower African filmmakers with tools, visibility, and fairer distribution.
Ultimately, KAVA is more than a platform it’s a cultural archive, a marketplace, and a storytelling revolution. It holds the promise of ushering in a new era for African cinema, one where African voices are not only heard but celebrated around the world.
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