St. Janet: The Story of Nigeria's Fearless Juju Performer - Simply Entertainment Reports, Movie Reviews and Trending Stories

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Tuesday, August 4, 2026

St. Janet: The Story of Nigeria's Fearless Juju Performer

St. Janet: The Story of Nigeria's Fearless Juju Performer
Image:Pulse.ng



The Nigerian entertainment industry has lost one of its most talked-about traditional music figures following the death of veteran juju and highlife singer St. Janet. Renowned for her fearless approach to music and outspoken personality, the performer built a career that constantly challenged conventions while attracting both loyal fans and strong criticism.


Popularly called "Mama Yabis," St. Janet carved out a unique place in Nigeria's music scene through songs that blended traditional juju rhythms with bold, adult-themed lyrics. 

While her style often sparked controversy, it also earned her a dedicated following that appreciated her authenticity and energetic stage performances.


Born Omotoyosi Kayode Iyun Ajilore in Abeokuta, Ogun State, St. Janet discovered her passion for music at an early age. 


She first developed her vocal abilities while singing in her church choir before later joining a local juju and highlife band as a backup singer. 

During this period, she met her future husband and musical collaborator, Kayode Iyun, who played an important role in her journey into professional music.


Although she obtained a diploma in Mass Communication, music eventually became her full-time career. Her confidence and distinctive performance style quickly made her a recognizable figure across southwestern Nigeria, especially at social gatherings, parties and cultural celebrations.


St. Janet became a national talking point in 2013 after the release of her album Faaji Plus. The project generated widespread debate because of its explicit lyrical content, leading to restrictions from regulatory bodies and a ban on public broadcast in Lagos State. 


Despite the sanctions, the controversy significantly boosted her popularity, introducing her music to audiences who had never heard of her before.


The singer later maintained that the backlash worked in her favour, explaining in interviews that the publicity surrounding the ban expanded her fan base. 


She also argued that female performers were often judged more harshly than their male counterparts when addressing similar themes in music.

Throughout a career spanning several years, St. Janet released more than twenty albums, including Olori Ebi, Ore Tuntun, Bottle Cathedral, American Swagger and 5G Plus. Her catalogue reflected her commitment to traditional Yoruba sounds while maintaining the provocative style that defined her public image.


Away from music, St. Janet experienced personal hardships, including a devastating house fire that reportedly claimed the life of an adopted relative and destroyed valuable property. 


Nevertheless, she remained active in the entertainment industry and continued performing at events across the country.


News of her death emerged after publisher and socialite Femi Davies confirmed that the singer passed away following a brief illness. Her passing marks the end of a remarkable career that combined talent, controversy and resilience.


Whether celebrated for her originality or criticised for her lyrical choices, St. Janet leaves behind a legacy that remains difficult to ignore. She will be remembered as an entertainer who refused to conform to expectations and whose influence on Nigeria's juju music scene will continue to be discussed for years to come.


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