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In a forthright response to swirling claims on social media, Nigerian media executive Mo Abudu has firmly rejected the idea that a secret “cabal” exists within Nollywood to manipulate cinema screening slots in favour of some films over others.
The founder and CEO of EbonyLife Group stated that the decisions of what films play in cinemas are driven by commercial realities, not personal alliances or industry politics.
Appearing on ARISE Television, Mo Abudu addressed the persistent allegations that some Nollywood filmmakers work with cinema owners to edge out competitors, even after official scheduling. She stressed that cinema operations are purely business‑oriented, underscoring the simple economics behind film programming.
“There is no cabal. This is not about sentiment or favouritism; it is about return on investment,” Abudu said, explaining that if a film fails to fill seats, it will inevitably be swapped out for one that can. “If I am running air‑conditioning, paying staff, and only two or three people are sitting in a 100‑seat cinema, that film will lose its slot. It is purely business.”
Joining the conversation with her own perspective, Omotola Jalade‑Ekeinde one of Nollywood’s most respected actresses contributed to the broader debate about how the industry functions, emphasising professionalism over speculation.
While Omotola hasn’t directly addressed the cabal narrative in the same interview, her recent public remarks on industry dynamics reflect a similar commitment to clarity and constructive dialogue. She has spoken about industry practices and the professional responsibilities of actors, such as her stance against forced promotional activities that don’t serve the art or audience, highlighting that marketing and distribution should be handled by professionals rather than stoking rumours or unfounded accusations.
The combined voices of Abudu and Omotola underscore a growing call among Nollywood veterans for transparency, accountability, and a return to business fundamentals in the way films are marketed and exhibited. Their input seeks to dampen speculation and encourage the industry and audiences alike to engage with cinema experiences grounded in commercial viability and artistic integrity.
SEE POST POST BELOW;
Cinema Slots Are Not Sentimental: If Your Film Fails, It Goes
— ARISE NEWS (@ARISEtv) February 7, 2026
There is no cabal. This is not about sentiment or favouritism; it is about return on investment. If a film cannot fill seats, it will be replaced no matter who owns it. If I am running air-conditioning, paying staff,… pic.twitter.com/xKiBUr7G9p
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