SIDE HENS (2026) Review: When Side Chicks Become Side Hens – Nollywood's Boldest Betrayal Tale Yet! - Simply Entertainment Reports and Trending Stories

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SIDE HENS (2026) Review: When Side Chicks Become Side Hens – Nollywood's Boldest Betrayal Tale Yet!

ty SIDE HENS (2026) Review: When Side Chicks Become Side Hens – Nollywood's Boldest Betrayal Tale Yet!



Beyond the Scorned Wife: Why 'SIDE HENS' is the Must-Watch Nollywood Social Thriller of 2026


As a Lagos-based Nollywood enthusiast and content creator at NollywoodTimes.com, I've binged countless Nigerian films, but SIDE HENS hit different. Released January 29, 2026, by Royal Arts TV on YouTube (1:59:16 runtime), this drama follows Sarah (Blessing Nze) whose world shatters when husband Tony dies suddenly, exposing his web of lovers. 


Forced into a tense alliance with Anita and two other "side chicks," they face a perilous nighttime trek to a remote village, dodging kidnappers, ritualists, and harsh traditions. Starring Blessing Nze, Liquorose (Roseline Afije), Chioma Nwosu, CJ Oduche, Hannah Nwasor, and Anita Mere, it blends romance, suspense, and raw social commentary. I rate it 8/10 for its emotional gut-punches and fresh spin on infidelity tropes. Spoiler-free verdict: SIDE HENS elevates Nollywood's 2026 game, turning "side chick" clichés into a survival thriller that demands your watch.



The "Side Chick" trope is as old as Nollywood itself, but the 2026 release "SIDE HENS" does something we haven't seen in decades: it takes a tabloid-worthy premise and transforms it into a harrowing, high-stakes exploration of female survival, patriarchal traps, and the thin line between urban glamour and ancient terror.


If you came for a simple story of "wife vs. mistress," you’re in the wrong place. "SIDE HENS" is a genre-bending masterpiece that starts as a biting social satire in the heart of Lagos and ends as a pulse-pounding thriller in the mysterious village of Agamaga.



The "Side Hens" Association: Infidelity as a Corporate Strategy

The film opens with a sequence that feels more like a Silicon Valley board meeting than a gathering of mistresses. We are introduced to the "Side Hens" Association, led by the enigmatic and fierce Mama.


The world-building here is brilliant. Mama doesn’t view these women as "home-wreckers." Instead, she frames them as "social shock absorbers." The philosophy is laid out with chilling logic: Nigerian men are dying young from stress; therefore, the side chick’s "job" is to absorb that stress so the man can return to his wife happy and healthy.

The Golden Rules: Never fall in love. Know your place. Maintain the marriage.

The Promotion: Seeing Anita and Silver get "promoted" to "Side Hens" for their years of "discreet service" is a masterful bit of satire that highlights how normalized the "double life" has become in Lagos high society.



Tony and Sarah: The Fragile Veneer of the Lagos Dream

At the center of the storm are Tony and Sarah. Tony is the quintessential modern man—juggling corporate contracts, a pregnant wife, and a high-maintenance mistress. Sarah, played with a simmering intensity, represents the "perfect" Lagos wife who knows deep down that the foundation of her home is cracking.


The tension reaches a boiling point when Sarah confronts Anita, Tony’s primary mistress. Unlike the typical Nollywood "shouting match," this confrontation feels grounded in a deep, shared exhaustion. When Tony intervenes, a freak accident occurs—a shove, a fall, and a head injury that leaves him lifeless on the floor.


This is where the film shifts gears from a domestic drama into a dark, psychological thriller.



The Agamaga Trap: From Urban Sprawl to Ancestral Dread

The genius of the script lies in the character of John, Tony’s brother. In the wake of Tony's "death," John manipulates a desperate Sarah with a folk-tale: Tony isn't dead; he’s in a "spiritual coma" that can only be reversed in their ancestral village, Agamaga, within 48 hours.


The journey to Agamaga is filmed with an increasing sense of claustrophobia. As the bright lights of Lagos fade, the characters—Sarah, a guilt-ridden Anita, and even a few other "Side Hens"—are stripped of their modern defenses. They aren't just traveling into the countryside; they are traveling back in time to a place where a woman’s word is worth nothing compared to "tradition."


The Scene-by-Scene Breakdown of the Trial

Upon arrival, the trap is sprung. Tony is dead, and the village elders have no intention of "reviving" him. Instead, they activate the Widowhood Rites.

The scene involving the "Widow’s Pot" is easily the most stressful 15 minutes of cinema this year. The elders decree that Sarah must drink a concoction made from the water used to wash her husband's corpse. If she dies, she is a murderer; if she lives, she is innocent. It is a "no-win" scenario designed to humiliate and eliminate the wife so the family can reclaim Tony’s assets.



Character Analysis: The Redemption of Anita

The most profound character arc belongs to Anita. Initially presented as the "villain" or the "temptress," Anita undergoes a radical transformation when she sees the systemic cruelty Sarah is subjected to.

There is a pivotal scene in a hut where Anita and Sarah—the two women who loved the same man—finally see each other not as rivals, but as victims of the same man’s lies. Anita’s decision to offer herself up for the ritual is the emotional core of the movie. It is an act of unlikely solidarity that shatters the "Side Hens" code. She stops being a "Hen" and starts being a human.


Mama: The Ancestor of the Hustle

Just when the movie feels like it will end in a tragedy, Mama arrives. Throughout the film, Mama is portrayed as a cynical madam, but in the village, we see her true form. She isn't just a leader of mistresses; she is a woman who knows exactly how the "tradition" game is played because she survived it herself.


Her confrontation with the village elders is a tour de force. She calls out the "abomination" of their customs, pointing out that they use "tradition" as a shield for their own greed and hatred of women. It’s a powerful critique of patriarchal structures that still exist in the shadows of modern progress.



Technical Review: Pacing, Sound, and Cinematography

Pacing: The 120-minute runtime is lean. The first 45 minutes are fast-paced and witty, while the final hour is slow-burn, atmospheric horror.

Sound Design: The transition from the afrobeats and traffic noise of Lagos to the silence and rhythmic drumming of Agamaga heightens the viewers' anxiety.

Acting: The performances are top-tier. The actress playing Sarah captures the frantic energy of a pregnant woman fighting for her life, while the actress playing Mama steals every scene with a look of "I’ve seen this all before."



The Verdict: Is 'SIDE HENS' Worth the Hype?

SIDE HENS is more than just a movie; it’s a mirror. it asks uncomfortable questions about why society blames the "other woman" while ignoring the systems that allow men to exploit everyone around them. It challenges the "traditions" that seek to punish women for the sins of men.

Quality Score: 8/10

Recommended For: Fans of social thrillers, feminist cinema, and anyone who loves a plot twist that actually makes sense.


My advice:

Do not miss this film. Whether you're watching for the Lagos drama or the deep cultural commentary, "SIDE HENS" will stay with you long after the credits roll. It’s a bold, unapologetic look at the cost of the hustle and the power of women standing together.

Watch SIDE HENS on YouTube now!



What did you think of the Agamaga trial? Was Anita right to sacrifice herself? Let us know in the comments below!

 



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