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We Are Pregnant (2026), available on One And Two Films TV and Uchenna Mbunabo TV, is an emotional family drama starring Bolaji Ogunmola, Mofe Duncan and Oluboyo Solomon.
The film explores infertility, marriage, societal expectations and the complicated consequences that can arise when surrogacy enters a family relationship.
The story centres on a married couple whose relationship comes under increasing pressure after years of struggling to have a child.
With the weight of societal expectations becoming increasingly difficult to bear, they turn to an unconventional solution: involving a close family member as a surrogate.
What initially appears to be a practical way of saving their marriage and fulfilling their dream of becoming parents gradually develops into a complicated emotional situation.
As the pregnancy progresses, the arrangement begins to blur the boundaries between family, motherhood and personal responsibility.
The surrogate's growing involvement creates tensions that force the couple to confront difficult questions about who has authority over the pregnancy and where the boundaries of the arrangement should lie.
One of the film's strongest qualities is the way it presents infertility as more than a personal or medical struggle. It shows how societal expectations surrounding childbirth can place enormous pressure on couples and potentially create cracks within otherwise stable relationships.
The story also draws attention to the emotional complications that can emerge when reproductive decisions involve members of the same family.
Bolaji Ogunmola delivers a convincing performance, carrying much of the film's emotional weight. Her portrayal captures the pain of infertility, the desire to preserve a marriage and the complicated emotions that emerge as another woman carries her child.
Her performance gives the character an emotional vulnerability that makes her situation easy to understand.
Mofe Duncan complements Ogunmola as the husband caught between competing responsibilities. His performance effectively communicates the difficulty of trying to support his wife while managing the complications created by their unusual family arrangement.
Oluboyo Solomon and the supporting cast also contribute to the tension, particularly in showing how extended family members can become deeply involved in private marital decisions.
The film's greatest strength is its subject matter. Surrogacy remains a complex issue, particularly when it intersects with traditional family structures and expectations about childbirth.
We Are Pregnant uses this premise to generate conversations about reproductive choices, emotional boundaries and the meaning of parenthood.
However, the film occasionally relies too heavily on familiar Nollywood melodrama. Some conversations feel more exaggerated than necessary, while certain scenes in the middle section could have been shortened to maintain stronger momentum.
Despite these shortcomings, We Are Pregnant remains an engaging and emotionally charged drama. Its strong performances and sensitive exploration of infertility and surrogacy give it enough substance to stand beyond a conventional family melodrama.
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