“I Dreamt of Killing a Rat—And Woke Up Holding It”: Actor Alfa Monsuru on Nollywood’s Hidden Side - Simply Entertainment Reports and Trending Stories

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Saturday, August 23, 2025

“I Dreamt of Killing a Rat—And Woke Up Holding It”: Actor Alfa Monsuru on Nollywood’s Hidden Side

 

“I Dreamt of Killing a Rat—And Woke Up Holding It”: Actor Alfa Monsuru on Nollywood’s Hidden Side
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Yoruba comic star Ayanfe Adekunle—widely known to fans as Alfa Monsuru or simply Monsuru—has stirred conversation about the unseen side of filmmaking after sharing a startling personal experience. Speaking about the spiritual undertones he believes permeate the movie world, Monsuru said that one of his most unsettling moments came in his sleep: he dreamed he killed a rat, only to wake up with the animal in his hand. “It may sound unbelievable,” he insisted, “but it is the pure truth,” using the story to underline his view that the craft goes beyond what the audience sees on screen.

 

Monsuru is not new to talking openly about faith and metaphysical realities. The Lagos-born entertainer’s stage name “Alfa”—a colloquial nod to Islamic learning—reflects a persona that blends humor with moral cautionary tales popular in Yoruba films. Off screen, he’s maintained a spiritual routine; earlier this year he performed Umrah in Saudi Arabia, sharing moments from the pilgrimage with well-wishers—another window into the beliefs that ground him away from the set.

 

Beyond the viral anecdote, Monsuru’s path into Nollywood shows the disciplined training behind the laughs. Born Ayanfe Adekunle Taiwo in Isolo, Lagos, he completed his early education at St. Mathias Primary School and Ajibode Grammar School before earning a Diploma in Theatre Arts from the University of Ibadan. He trained under veteran actor Rasaq Olayiwola (Ojopagogo) at Razol Entertainment and later honed his craft at J-15 Film School, founded by Femi Adebayo—credentials that help explain the timing and precision in his comedic performances.

 

On screen, Monsuru has carved a niche for buoyant, street-wise characters who toggle between slapstick and social commentary, a formula that plays especially well in Yoruba-language home videos and streaming-friendly skits. Industry profiles and fan pages consistently describe him as an actor, producer, and director—a multi-hyphenate now common in the Yoruba sector, where artists often wear several hats to shepherd stories from script to screen.

 

The actor’s social footprint also keeps him in close contact with audiences. Under the handle @monsuru_omoalfa on Instagram, he promotes projects, emcees events, and drops life-lesson snippets—an extension of the on-screen persona that fans find familiar and approachable. It’s the same blend of humor and homily that gives his recent testimony its cultural voltage: in Yoruba cosmology, dreams and everyday encounters can carry moral messages, a theme that surfaces often in indigenous films.

 

While skeptics will debate the mechanics of Monsuru’s rat-in-the-hand tale, the conversation it sparked points to a deeper reality about Nollywood, especially the Yoruba wing: filmmakers routinely engage stories where the visible and invisible coexist—through parables, folklore, or faith-tinged drama. Monsuru’s account doesn’t just sensationalize a one-off night; it mirrors the worldview that gives Yoruba cinema its texture, from cautionary village fables to contemporary urban comedies with spiritual twists. In that sense, his experience—whether read as literal, symbolic, or somewhere in between—functions like his screen roles: a nudge to pay attention to the unseen currents shaping choices, careers, and communities.

 

As the discourse rolls on, Monsuru’s blend of craft and conviction continues to win him notice across the southwest circuit and among diaspora viewers who stream Yoruba content. If nothing else, his story reminds fans why these films endure: they make room for laughter, morality, and mystery—often in the same scene.

  

 

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